7.28.2010
i'm here
linguisticsss
"Pretty interesting article in the WSJ today. Basically says that language profoundly influences how we see the world. Some examples:
- Russian speakers who have more words for light and dark blues are better able to visually discriminate shades of blue.
- An aboriginal community in Australia doesn’t use terms like “left” and “right”, and instead uses north, south, east and west for directions. As a result they have greater spatial orientation.
- People who speak languages that drop the agent of causality, for example “the vase broke itself” versus “John broke the vase,” don’t often associate blame for events.
- One group who uses the words “few” and “many” in favor of actual number words have difficulty keeping track of exact quantities.
- English speakers see time on a horizontal plane, with the best years ahead and the past behind us. Whereas Mandarin speakers see new events emerging like a spring of water, with the past above and the future below."
anthem du jour
7.27.2010
anthem du jour
bruce! bruce! bruce!
and here's the trailer to give you a better idea of how effing weird it is:
if you'd like to watch it in its entirety, you can find it free here.
7.22.2010
nicorette advertisement fail
have you ever seen that commercial? if you're not paying close attention, as many television enthusiasts aren't, you probably thought that nicorette made a great point. this man is so addicted to cigarettes that he doesn't even know he's being attacked by a great white shark (who apparently is toothless, because i'm pretty sure he'd have already ripped that arm off and/or pulled that guy into the water after ten seconds...) and what an idiot he must be for smoking. okay, all cigarette politics aside, let's think about this logically.
when the nicorette kicks in and the idiot man is suddenly brought back to reality, he in fact starts panicking and screaming "shark" over and over. because clearly if there were bystanders available to help him, they would not already know that the giant aquatic carnivore attached to his arm was a shark. but anyways, the commercial ends with the man still flailing his arm around trying to get the shark off. he can't do it, so he doesn't fucking escape.
okay, again, let's think about what all of this means. i don't know about you, but if there were a giant fucking shark biting off my god damn arm and there was no chance to escape, even after repeatedly punching it in the nose (as we are always told works, and as this man attempts to do and fails miserably at...), i would probably want to be in the pre-nicorette state of mind. you know, a painless trance where all you can think about is taking a drag of a cigarette, not about a huge alien fish having you for a snack.
what does all of this tell us? well, first of all it reinforces our hatred for sharks, possibly the most misunderstood species on earth (thanks popular culture...not that i'm trying to save them...they're terrifying...). second of all, it tells us that nicorette might help you quit smoking, but it also brings you back to a terribly unpleasant reality with no hope for escape, as well as the possibility of limb loss and/or death. so next time you think about purchasing nicorette for yourself or a loved one, think twice. ps the moral of the story is also that the nicorette advertising department sucks, so they should hire me instead. i need health insurance. k bye.
remember marissa cooper and/or mishcha barton?
"she loved him...she loved him but she had to say goodbye..they didn't forget...Ryan saved her once and he wasn't meant to save her again...maybe the parallel universe will always know what we can't..and it's just for us to accept...We love her, but she will always be there..never forgotton...she wasn't meant to live..that was how it was meant to be..in his arms, the 'I love you' unanswered..Marissa..."
so what can we learn from all this? well, first of all, avoid whoever the eff created this group. but you know what? i had a brilliant idea. are you ready? let's petition for a spinoff series to accomplish the following: 1) revive marissa, 2) revive mischa barton's career, and 3) see 1 and 2. and just what would this series feature? the plot is very simple. marissa cooper comes back as a zombie who is just trying to make it in LA. blind dates and drama and brain consumption ensue. natasha bedingfield could do a catchy theme song, something along the lines of "and your brain is still unbitten..." i mean, it's genius right? they wouldn't even need to hire a makeup person since mischa barton's already at least halfway towards looking the part. i think this could really take off because let's face it...vampires and werewolves are getting old. zombies could definitely be the new "it" creatures. let me know if anyone feels like investing in this project...it'll be pretty low-budget considering mischa barton would probably be cool with getting paid in urban outfitters coupons and cigarettes. and all she has to do is get super drunk the night before filming, which fits in perfectly with her lifestyle. just come in super hungover looking like death, shuffle around slowly, minimal dialogue with lots of groaning sounds...it's like her fucking dream job. and there we go. i just solved all mischa barton's problems.
7.20.2010
7.18.2010
anthem du jour
Catamaran from Candy Claws on Vimeo.
10 ways to end it (and spare their feelings)
i've always been a fan of creative breakup ideas to stir things up in a stagnant relationship. the first time i decided to blindside someone was all the way back in the eighth grade after dating a boy for a year and a half. i was bored, i was like ten times more mature than he was, insert other things that annoyed me here, etc. so being incredibly creative (and demonstrating aforementioned exceptional maturity level) i decided the best way to say sayonara was via that michelle branch song entitled 'goodbye to you'. because let's face it, singer/songwriters can just say things way better than i can. i handed him the cd and told him to listen to the last song as he was getting on his bus to go home. long story short he got the message, and he regarded me disdainfully (rightfully so as there were no real warning signs indicating i was about to stomp all over his feelings) for a long time afterward. and that, my friends, was how my train of dysfunctional relationships began.
anyway, if i were in a serious relationship at present, i would very seriously consider using one or more of ten amazing breakup methods concocted by writer/filmmaker mia timpano. there are some really genius solutions to all your relationship woes. i mean, you might come off looking like a lunatic and/or an asshole if you decide to follow through with any of these, but inside you'll know that really you just saved that no longer special someone a whole lot of personal trauma that would have resulted from telling them the truth about why you want to ditch them. i.e. "you're annoying" or "i've just realized how inferior you are" or "did you always look like that?"...you know, things like that.
1. A slow descent into mania is likely to drive any rational human away. Begin by responding to a voice only you can hear. Develop an obvious rapport with the voice. Laugh uncontrollably at everything the invisible person says. If your partner asks what was said, shake your head and say, “It’s private.” Do this every time. If your partner tells a joke, look sincerely confused and say, “Umm, o-kaaaay.” Do this every time. When your partner sits down, say, “You’re sitting on him.” If they move, say, “You’re sitting on him.” If they insist “he” could not occupy two chairs, say, “He moved.” Do this every time.
2. Deny their existence. When they say anything, glance up and around, look slightly puzzled and say, “Hmm, must have been the wind.” Do this every time. If they call, redirect them to customer assistance. Do this every time.
3. Sometimes just the threat of violence is enough to drive someone away. Point at a random member of the public and say, smiling, “Wouldn’t it be funny if we set them on fire?” If they dismiss your suggestion, point out another and say, “Wouldn’t it be funny if we drove a spike through their face?” If they question your bloodlust, look slightly deflated and say, “You’ve changed.”
4. Develop habits that will certainly repulse them. If they loathe meat, for instance, sleep with a full champagne ham wedged between your legs. Move it progressively closer and closer to their face during the night. Ultimately, they should wake to find themself face to face with the ham. Then quickly remove the ham. They should continue to find it in unexpected places — belted into the passenger seat, on the toilet, snoozing on the couch (at this point you should look up and say, “Shhhhh!” then mouth the word “sleeping”).
5. Drive them away by affecting an African-American patois. When you agree with anything, say, “TRUE DAT!” This will get tired extremely quickly.
6. Let them down easy. Explain you simply need something they cannot give. This can of course be anything, so get creative. I need all toes to be webbed. I need you to be lubricated in gravy. I need meat breath.
7. Play dead. If they are convinced, they will grieve and move on. If they are unconvinced, they should be sufficiently annoyed to move on.
8. Insist you are related. If they demand proof of your claim, simply hand them a magic eight ball. It will achieve nothing, but will allow a moment of confusion in which to run away, screaming.
9. Flick any small, hard object at them. Ask, “Did that hurt?” Ignore their response and repeat the process. When they stand to leave and sit elsewhere, shake your head and say, “He moved.”
10. To tell them you hate them personally is offensive and unnecessary. Instead, tell them you hate everything they like and own. Strolling through their house, look clearly annoyed and say, “Tch, Mac. Uh, yeah, ‘cool’. Tch, Pentax. Oooh, ‘it’s a Pentax’. Tch, grapefruit. Yeah, sour, great, I’m so impressed. Tch, a goldfish. What’s he going to do? Swim? Mmmm, great, almost as good as the grapefruit.” They will slowly tire of this and you.
This column was published in Frankie #19 Sept/Oct 2007.
7.17.2010
i am also in love with a man called john jagos
okay so moving on from reasons why brothertiger is a dreamboat, he makes lovely dreampop-chillwave-synthelectro-etc. (apparently this is the only kind of music i'm listening to these days) tunes which are excellent for surviving summer. if i were you i would download vision tunnels, and in the meantime i'd advise checking out these tracks:
i am in love with a man called randolph chabot
7.16.2010
help me tom cruise. help me rhonda. just help.
five stages of grief:
- denial, disbelief, numbness
- anger, blaming others
- bargaining (for instance "If I am cured of this cancer, I will never smoke again.")
- depressed mood, sadness, and crying
- acceptance, coming to terms
- denial (i feel fine, i'm totally fine), disbelief (wait, what? i can't be THAT hungover...), numbness (i can feel everything and nothing all at once...how is this possible?)
- anger (i hate being hungover! and i am so angry because of it!), blaming others (why did you make me drink all those drinks? why? why? why? this is all your fault. i wish you weren't my friend.)
- bargaining (if i am cured of this hangover, i will never ever ever drink ever again.)
- depressed mood (i hate my life, everything is terrible), sadness (what did it used to feel like before i felt so terrible? i can't even remember! ), crying (how am i supposed to rehydrate when what little h2o i've got is flowing out my eye sockets? how???)
- acceptance (okay. you're hungover. this is real.), coming to terms (chinese food, tv, couch/bed)
7.13.2010
happy bastille day, putains!
first of course is the bande a part dance scene for obvious reasons...
next up are cinq songs in french...
le marchand de temps-antoine
notre prof d'anglais-chantal kelly
7 heures du matin-jacqueline taieb
tu m'as trop menti-chantal goya
je veux te voir-yelle
CAPUCINE!
and this one which i've blogged about multiple times but i can't not...their dance moves are hypnotic.
so way to go france. i don't actually know what bastille day is all about, but i just want to give a high five to marie antoinette. slash mostly kirsten dunst as marie antoinette. and i've said it before so i'll say it again, all i want in life is to be able to do the versailles glide. is that so much to ask for? that and a bouffant.
7.12.2010
there's no hope with dope or something
oh and does anybody remember that show california dreams? the synopsis according to wikipedia reads: "california dreams is about a multi-ethnic group of teens and their band. the show's plots combined real-life issues with zany adventures. it covered a range of topics such as fear, using drugs for a competitive edge, falling for scams, letting greed overtake friendship, accepting a divorced parent dating, forgiving others for past wrongs, and dealing with general teen social problems." so basically it sucked pretty hard, but it was in that TNBC block on saturday mornings so i guess i watched it by default. thanks, quinn. i definitely remember watching the steroid freakout episode as a child. that's probably why i won the DARE anti-drug campaign contest in fifth grade. no i'm not kidding. i wrote an original poem about not doing drugs and then read it in front of the whole school. i still have it but refuse to disclose the embarrassing (but really advanced and spectacular) content at this time. anyways, watch at 1:09 for the 'roid-rage blow-up. very reminiscent of the real housewives of new jersey:
glad to see the war on drugs of the nineties was in the hands of nbc saturday morning television. that was a nice little "there's no hope with dope" campaign they had going. can't speak for the rest of america, but i can safely say that it kept me drug-free and off the streets between the ages of five and eight.
7.11.2010
anthem du jour
*ps, i am mentally punching anyone who is eating calamari right now...
7.10.2010
anthem du jour
*ps, i wish i could jump rope like a badass as demonstrated in that music video.
7.08.2010
beatz and bleepz: the fuck you netherlands edition and also happy bday claudia kishi
dust-chemical
future-beatbot
horus-ishivu
love hits the fan-phonat
rising drunk stars-f.o.o.l
eruption-valerna
astronaut candy-muffin
love-visitor
world cup 2010 final bonus:
vuvuzela beat-ghostdad
*UPDATE! paul the octopus has chosen spain for the world cup win! if he's right, i will follow in the footsteps of jose andres and take pulpo off my dietary menu for the rest of my life. not that that's difficult...i rarely eat it anyway.
things that make me want to vom part 2
1. many things in the movie gummo, but mostly the part where he's in the bathtub eating spaghetti. it made me not want to eat spaghetti even more than i already don't. it also put me off chocolate for life, which ironically could be a positive thing.
2. the true blood opening credits. pretty much everything in those makes me want to vomit, hence i fast-forward through them. thank you jesus, on demand rulez.
3. bugs. all bugs. i saw a cockroach in argentina one time and it scarred me for life. i don't even like butterflies. just keep them away from me or i will spew.
4. other people vomiting. except for that one time when that girl projectile vomited for ten minutes straight in our room...that was both surprisingly impressive and hilarious. (and no, i didn't help clean that up. sorry roommates and friends...)
5. clarinet reeds. excruciating. thanks, mom...three years as second to last chair really boosted my musical abilities and self-confidence.
extreme bonus: the human centipede. if you don't know what i'm talking about, keep it that way. never ever google it, never ever youtube it. never ever anything it. i think i just threw up a little bit just thinking about it.
*so gummo was mostly fucked up but there was this one voiceover that i liked that goes:
"without wood, there'd be no america. no ships to bring the pilgrims across the ocean. no log cabins, no schoolhouses, no churches, no covered wagons, no railroad ties, no cigar store indians, no nothin'."
isn't that the truest thing you ever heard?
anthem du jour
suicide by the raveonettes
7.06.2010
troop beverly hills: a comprehensive dance guide
the devil
They were just through dancing and were making their way back to their chairs when Amory became aware that some one at a near-by table was looking at him. He turned and glanced casually . . . a middle-aged man dressed in a brown sack suit, it was, sitting a little apart at a table by himself and watching their party intently. At Amory's glance he smiled faintly. Amory turned to Fred, who was just sitting down.
"Who's that pale fool watching us?" he complained indignantly.
"Where?" cried Sloane. "We'll have him thrown out!" He rose to his feet and swayed back and forth, clinging to his chair. "Where is he?"
Axia and Phoebe suddenly leaned and whispered to each other across the table, and before Amory realized it they found themselves on their way to the door.
"Where now?"
"Up to the flat," suggested Phoebe. "We've got brandy and fizz—and everything's slow down here to-night."
...(skipping the dialogue in-between the cafe and the apartment...)
There was a minute while temptation crept over him like a warm wind, and his imagination turned to fire, and he took the glass from Phoebe's hand. That was all; for at the second that his decision came, he looked up and saw, ten yards from him, the man who had been in the cafe, and with his jump of astonishment the glass fell from his uplifted hand. There the man half sat, half leaned against a pile of pillows on the corner divan. His face was cast in the same yellow wax as in the cafe, neither the dull, pasty color of a dead man—rather a sort of virile pallor—nor unhealthy, you'd have called it; but like a strong man who'd worked in a mine or done night shifts in a damp climate. Amory looked him over carefully and later he could have drawn him after a fashion, down to the merest details. His mouth was the kind that is called frank, and he had steady gray eyes that moved slowly from one to the other of their group, with just the shade of a questioning expression. Amory noticed his hands; they weren't fine at all, but they had versatility and a tenuous strength . . . they were nervous hands that sat lightly along the cushions and moved constantly with little jerky openings and closings. Then, suddenly, Amory perceived the feet, and with a rush of blood to the head he realized he was afraid. The feet were all wrong . . . with a sort of wrongness that he felt rather than knew. . . . It was like weakness in a good woman, or blood on satin; one of those terrible incongruities that shake little things in the back of the brain. He wore no shoes, but, instead, a sort of half moccasin, pointed, though, like the shoes they wore in the fourteenth century, and with the little ends curling up. They were a darkish brown and his toes seemed to fill them to the end. . . . They were unutterably terrible. . . .
He must have said something, or looked something, for Axia's voice came out of the void with a strange goodness.
"Well, look at Amory! Poor old Amory's sick—old head going 'round?"
"Look at that man!" cried Amory, pointing toward the corner divan.
"You mean that purple zebra!" shrieked Axia facetiously. "Ooo-ee! Amory's got a purple zebra watching him!"
Sloane laughed vacantly.
"Ole zebra gotcha, Amory?"
There was a silence. . . . The man regarded Amory quizzically. . . . Then the human voices fell faintly on his ear:
"Thought you weren't drinking," remarked Axia sardonically, but her voice was good to hear; the whole divan that held the man was alive; alive like heat waves over asphalt, like wriggling worms. . . .
"Come back! Come back!" Axia's arm fell on his. "Amory, dear, you aren't going, Amory!" He was half-way to the door.
"Come on, Amory, stick 'th us!"
"Sick, are you?"
"Sit down a second!"
"Take some water."
"Take a little brandy. . . ."
The elevator was close, and the colored boy was half asleep, paled to a livid bronze . . . Axia's beseeching voice floated down the shaft. Those feet . . . those feet . . .
As they settled to the lower floor the feet came into view in the sickly electric light of the paved hall.
gaga vs. marina
7.05.2010
anthem du jour
fast-forward to my return journey in which i stopped at a harris teeter to pick up groceries for maureen. the good news is that i got the proper materials to make myself some prosciutto and melon for dinner, because it is roughly 274 degrees farenheit outside and i can't imagine eating anything else. the bad news is slightly longer. first of all, harris teeter is mad expensive and it's not even that good. i blame the free cookies they provide upon entrance...that was a stupid idea, harris teetards...people eat the cookies, and then subsequently are less hungry. as a result, they purchase less food. as a result, you lose money. and you also had to spend money to make those cookies, even if they are of poor quality. ALSO, you are simultaneously contributing to the financial strain on americans AND the obesity problem. because let's face it, if fat people have the option of going to a store that provides free cookies as opposed to one that doesn't, they will pick the cookies every time guaranteed. so thanks for ruining america you assholes. i bet you're funding terrorists, too. oh AND you employ creepy cashiers and your checkout lines make no sense. i made a point to avoid the cashier i got today, but to no avail. so if you insist on being expensive, at least hire normal people who aren't terrifying. THE END.
oh, right, the song. well, all day i mostly just listened to blackbird blackbird. because when it's so hot out that you start feeling like YOU are a mirage, dreamy soundtracks help. so here's his song called 'summer heart'. and what the hell, for talking so much (assuming you read all of the above...it's okay if you didn't so long as you don't work for harris teeter in which case i hope you took notes...) i'll throw in his cover of 'float on'.
7.04.2010
anthem du jour
and for a bonus, i'll throw in 'amanecer':
*correction, i forgot about the nordic countries. but that's seriously all. everywhere else seems mad overrated/overdone.
happy effing birthday, america!
demon host (timber timbre)-the wilderness of manitoba
flume-bon iver or peter gabriel cover
brotherhood of man-the innocence mission
the rifle-alela diane
chicago (acoustic)-sufjan
america-simon and garfunkel
sweet home chicago-robert johnson
moon river-johnny mercer/henry mancini/audrey hepburn
to ohio-the low anthem
okayyy okay here are some more upbeat tunes for you:
living in america-james brown
living in america-dom
empire state of mind-jay-z (this just makes me feel really good about nyc)
*ps, i also like how old hardware stores smell, but i don't know that that's unique to america.
**pps, it really bothers me that i said 'bullshit' twice in this post. not because the word bothers me, but because repeating words does.
7.02.2010
beatz and bleepz: the fuck you germany edition
fucked from above in 1985-the bloody beetroots
babe we're gonna love tonight-senor stereo
revolver (david guetta rmx)-madonna
stand back (skeet skeet big room rmx)-sky ferreira
go back (le castle vania rmx)-grum
the a-team (face mix)-mstrkrft
seek and destroy (bassnectar rmx)-metallica
born free (12th planet rmx)-mia
streets of rage (flux pavillion rmx)-picto
gold dust (flux pavillion rmx)-dj fresh
and for when you want two more low key but no less excellent tracks:
cosmic love (short club rmx)-florence and the machine
wide eyes (teen daze rmx)-local natives
*ps, just to clarify, i don't really have anything against germany or its citizens. except for tomorrow. and 364 days of generally positive feelings out of 365 isn't half bad, in my opinion.